Thursday, March 12, 2020

75 Synonyms for Hard

75 Synonyms for Hard 75 Synonyms for â€Å"Hard† 75 Synonyms for â€Å"Hard† By Mark Nichol It’s easy to write about how hard something is, because so many synonyms exist for that vague word and its more formal cousin difficult. Many of these terms are somewhat interchangeable (that’s why they call them synonyms), but even then, the senses are often slightly distinct; do a little more research on usage when you find a promising variation for that abstract (or is it abstruse?) phrasing you’re attempting to finesse. 1. Abstract: disassociation from a practical reference that would aid in comprehension 2. Abstruse: difficult because of technical considerations 3. Arduous: great physical exertion 4. Augean: unpleasantly, overwhelmingly hard (a classical reference to the Augean stables, cleaned by Hercules as one of his legendary twelve labors) 5. Backbreaking: tiring and often dispiriting physical effort 6. Bruising: physically wearing and damaging 7. Brutal: unpleasantly difficult 8. Burdensome: physically or emotionally difficult 9. Challenging: requiring special effort; may have a positive or a negative sense depending on context 10. Complex: difficult because of multiple interrelated factors 11. Complicated: see complex 12. Convoluted: see complex; with an additional connotation of twisting or intertwining 13. Cruel: marked by uncompromising difficulty that disregards the worker’s welfare 14. Daunting: inspiring a feeling of great difficulty 15. Demanding: suggestive of a great commitment of time and effort 16. Distressing: causing emotional anguish 17. Effortful: requiring effort 18. Elusive: difficult to comprehend, or evasive 19. Exacting: requiring meticulous attention to detail, or requiring relentless effort 20. Exhausting: difficult in terms of physical or mental exertion 21. Formidable: discouraging because of expected difficulty; also has a positive connotation of impressiveness 22. Frustrating: producing feelings of hopelessness or defeat 23. Grievous: causing pain or suffering 24. Grim: evidencing unyielding difficulty or severity; can also mean â€Å"grim,† â€Å"gloomy,† or â€Å"sinister† 25. Grueling (also spelled gruelling): requiring unrelenting or extreme effort 26. Hairy: difficult (informal) 27. Harsh: excessively difficult 28. Heavy: involving great effort 29. Herculean: suggestive of great difficulty 30. Inhuman: so difficult as to seem beyond human capability 31. Insoluble: seemingly too difficult to be solved or resolved 32. Intimidating: so difficult that the task or prospect inspires fear or hopelessness 33. Intricate: see complex 34. Involved: see convoluted 35. Knotty: see convoluted 36. Labored: requiring wearying physical or mental exertion 37. Laborious: see labored 38. Merciless: marked by effort that seems to be required with no regard for the welfare of the worker 39. Moiling: requiring much effort 40. Murderous: suggestive of risk of physical or mental harm (informal) 41. Onerous: see burdensome 42. Opaque: difficult because of a lack of clarity or communication 43. Oppressive: harshly difficult 44. Overwhelming: too hard to do or bear without suffering 45. Painful: causing physical or mental discomfort or harm 46. Pick-and-shovel: suggestive of great manual effort 47-48. Problematic/problematical: difficulty in solving a problem 49. Punishing: difficulty heedless of consequences of physical or mental strain 50. Recondite: difficult to comprehend because of obscurity or the need to possess more knowledge 51. Rigid: inflexibly difficult 52. Rigorous: difficulty caused by conditions of inflexibility or requirements of great precision 53. Rugged: suggestive of conditions requiring strength and stamina 54. Serious: requiring a great deal of effort 55. Severe: difficult because of the nature of requirements or constraints or because of the need to expend great effort 56. Spiny: replete with difficulties 57. Sisyphean: suggestive of relentless, repetitive toil (a classical reference to Sisyphus, tormented in Hades by having to repeatedly roll a boulder up a hill, then retrieve it when it rolls down again) 58. Stiff: see rigid 59. Strenuous: see arduous 60. Stressful: so difficult as to cause tension or nervousness 61. Strict: difficult especially because of standards imposed 62. Stringent: see strict 63. Stubborn: persistently difficult 64. Sweaty: suggestive of great physical exertion, causing perspiration 65. Tall: see formidable (informal) 66. Taxing: see burdensome 67. Testing: calling for great effort, as if to test one’s abilities 68. Thorny: see spiny 69. Ticklish: difficult because of the problem’s sensitive nature 70. Tight: hard because of a lack of flexibility 71. Toilsome: see labored 72. Tough: physically or mentally demanding (informal) 73. Tricky: see ticklish 74. Trying: requiring great endurance 75. Uphill: see labored Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Vocabulary category, check our popular posts, or choose a related post below:50 Synonyms for â€Å"Leader†One Sheep, Two Sheep, One Fish, Two Fish . . .Adverbs and Hyphens

Tuesday, February 25, 2020

SWOT Case Study Example | Topics and Well Written Essays - 250 words

SWOT - Case Study Example To sustain future growth; Wal-Mart should increase its presence in these markets that include Brazil, India, China and Mexico. The rise in acceptance of the company’s label products, which has experienced an increase of over 40% for the past ten years or so, is another opportunity. Therefore, to earn higher profit margins, Wal-Mart should hike the number of private label products, which are sold at the company’s store. Another opportunity that Wal-Mart has is to expand the grocery stores in order to earn more income since there is a current trend of consuming a healthier food thus increasing the demand of grocery products. Growth of online shopping is also an opportunity. Wal-Mart should seize this opportunity to increase its profits; considering that, Wal-Mart is the largest offline retailer and in 2001, the retail sector of online grew by 4.7% in the US, hitting $197 billion. The company can reach plenty of customers using this technique thus increasing its

Saturday, February 8, 2020

Investment and Analysis Essay Example | Topics and Well Written Essays - 1250 words

Investment and Analysis - Essay Example I would like to point out that the conventional wisdom of wisdom may not necessarily break down in situations of extreme market volatility. This is because making investments is all about diversifying in the right manner using the relevant tools. In 2008 and 2009, there was the occurrence of a serious stock-market cataclysm that led to massive loss of wealth in the US. Market reports estimated that investors lost approximately $6 trillion worth of wealth. The stock-market cataclysm not only led to massive loss of wealth but also eroded investor’s faith in the conventional wisdom of diversification. However, the failure of the diversification does not arise from the concept of diversification itself. This is because diversifying investments does work especially when done with the appropriate tools. In the newspaper excerpt, the writer noted that there is a tendency of assets correlating hence limiting the opportunity for investors to diversify. Investors who record losses durin g periods of high market volatility are the ones who do not manage to establish a well rounded portfolio. A well rounded portfolio consists of assets that do not have the tendency of swinging up and down in correlation with each other. This means that investors need to diversify their assets to include those that have very the least correlations.In recent times, starting from the year 2000, investors who have diversified their investments among companies that have different sizes have managed to record positive gains. This can be supported by the 2002-2003 performance of the bear market (Satchwell, 2004, p. 24). During this period, the S&P recorded a loss of 47.4 percent but small and undervalued companies produced a gain of 1.6 percent. Real investment trusts also managed to record a gain of 36.6 percent. The market has also in recent times recorded losses as a result of diversification. The latest occurrence of a bear market resulted in small, undervalued companies losing 59.6 percent and REITs losing 68.5 percent. This clearly indicates that what many investors seem to count as diversification does not count any further. This is attributed to the prevailing market dynamics that have changed the correlation between different assets in the market. Despite the mixed results, there is one better approach of utilizing the conventional wisdom of diversification (Jones, 2009, 200). This approach involves paying attention to the correlations of the different assets within a portfolio. Investors should consider diversifying their investments in assets that do not move in sync with each other in terms of market volatility. This can be demonstrated by an example that relates to the stock and bond markets. Given two assets that include Stock S and Bond A, the investor has to first to determine the correlation between the two. Let us assume that the two assets have a perfect negative correlation and are in a similar

Thursday, January 30, 2020

Fantasy Theme Analysis of Commercial Essay Example for Free

Fantasy Theme Analysis of Commercial Essay â€Å"It’s Not About the Shoes† The Jordan Brand attempts to communicate to its audience that to become legendary they need to understand that it is not about the shoes, but what it is you do in them. They do this by showing a number of star athletes performing when they were in college and high school to the narrator’s (Michael Jordan) words. This paper hypothesizes how it is the Jordan Brand attempts to bring their audience to the shared rhetorical vision of becoming legendary, through fantasy themes in their ad â€Å"It’s Not About the Shoes†. The Fantasy Theme Criticism To understand this paper’s argument on how it is the Jordan Brand attempts to use fantasy themes in their ad, we must first understand what exactly the Fantasy Theme Criticism is. It was created by Ernest G. Bormann, and was designed to provide insights into the shared worldview of a group of rhetors. It is derived from the Symbolic Convergence Theory, and can be applied to different types of rhetoric including the kind(s) used on small groups, social movements, political campaigns, and organizational communication. The criticism relies on two assumptions. One, that rhetoric creates reality, and two, that convergence occurs. With regards to rhetoric creating reality we are to assume that the symbolic forms that are created from the rhetoric are not imitations but organs of reality. This is because it is through their agency that anything becomes real. We assume to that convergence occurs because symbols not only create reality for individuals but that individual’s meanings can combine to create a shared reality for participants. The shared reality then provides a basis for the community of participants to discuss their common experiences and to achieve a mutual understanding. The consequence of this is that the individuals develop the same attitudes and emotions to the personae of the drama. Within this criticism the audience is seen as the most critical part because the sharing of the message is seen as being so significant. The basic unit of this analysis is looking at the different fantasy themes within the rhetoric being analyzed. Fantasy themes tell a story that  accounts for the groups experience and that is the reality of the participants. The three fantasy themes that are necessary to create a drama are setting, characters, and actions. These fantasy themes then come together to form a fantasy type, and rhetorical vision. A fantasy type is a stock rhetorical vision that appears repeatedly in the rhetoric of a group. The actual rhetorical vision is the unified putting together of the various shared fantasies, or a swirling together of fantasy themes to provide a credible interpretation of reality. In the event there is a rhetorical vision, it is suggested that a rhetorical community forms that consists of participants in the vision, or members who have shared the fantasy themes. It is within this community that the ability to understand and act on the motives for action that the rhetorical vision attempts to communicate reside. Analysis Within this ad, there is a number of fantasy themes that the Jordan Brand incorporated that potentially could lead their audience to the desired rhetorical vision they wished to communicate. This part of the paper will seek to analyze this ad by first looking at our ads relationship with the audience, and then breaking the fantasy themes down into the three different kinds that make up this analysis and how they could come together to form a fantasy type and rhetorical vision. In order for the ad to make sense it must share a First there is the setting theme(s). Setting themes depict where it is the action is taking place. In this ad, there are a variety of different athletic venues depicted in which the physical setting takes place for athletes to become legendary. For example, there is a basketball court (P3, P8, P15, P20, P21), a boxing ring (P12-13), a baseball field (P5-6), and football field (P11, P17-18). All of these different physical places are where athletes go to train and perform to become legendary. We here the narrator state various inspirational lines pertaining to ones performance such as, â€Å"It’s about work before glory† (L10-11) and that it is about â€Å"Taking everything you have been given, and making something better† (L8-9). This suggests to the audience that practice and hard work in whatever sport you choose to compete in, are required if you wish to become legendary. The next major setting theme of the ad is within the audience is itself. In the very first scene (P1) all we see initially is the shoes with an unidentified person sitting in them. The screen then scrolls up to reveal a man who it is sitting in a chair deep in thought. This is possibly meant to be symbolic that each and every person in the audience is that athlete in those shoes. Then in the final scene we see a black screen with the words Become Legendary. These two slides form the setting that each member of the audience is supposed to face, the moment in their mind at which they either decide in favor of, or against attempting to become legendary. In addition to this the ad references â€Å"you† the audience a total of 8 times. This supports that the ad is trying to communicate to its audience wherever it is, and since this ad is attempting to call to action its audience the setting is within the audiences minds themselves when they are making their decision. Next there is the characters theme(s). Character themes are any person or object shown engaging in human like action. As previously stated, the ad references â€Å"you† a total of 8 times and makes clear that the audience is the most important character in this ad. Through the imagery and words, the audience is supposed to either imagine themselves as the athletes depicted, or as themselves in similar settings on the athletic field. This inclusive strategy of using the language and themes of the ad to relate to the audience helps to build convergence The athletes who are shown in the ad are also important characters. It is not explicitly stated in the ad who these athletes are, but by watching the ad and viewing the final scene in which the words Become Legendary (P22) appear, the audience can infer that whoever these athletes are, they are legends in their respective games. They are depicted throughout the ad performing various acts of athletic ability, and through the narrator’s words the audience is supposed to imagine themselves performing similar acts as these athletes. Finally, there is the actions theme(s). Action themes deal with the action of the drama. Within this ad there are numerous action themes. By looking at the visuals of the ad we see athletes running up and down a basketball court (P3, P20), hitting baseballs (P5-6), shooting a basketball (P8), catching touchdowns (P11, P18), and hitting a punching bag (P13). Accompanying these visuals we here the narrator’s words and are able to understand the qualities these athletes possess, and how their actions (which become transparent through the ads visual and audio display) have lead them to become legendary. For example, we here the narrator say for the baseball scene (P4-6) that â€Å"It’s about having the courage to fail† (L4-5). The audience is supposed to understand that having courage/acting courageous is important to have if one wishes to become legendary. Another example is in slides P12-15 in which we go from the visual of a young boxer working out, to the image of basketball player in celebration and here the words â€Å"It’s about work, before glory† (L10-11). This scene depicts that the action of working hard leads to the act of celebration in victory. This scene also lends itself to the idea that the act of working hard is important to becoming legendary. These themes form a fantasy type which is that it is not about the shoes. We here this exact line stated in P1L1 that â€Å"It is not about the shoes†. Throughout the ad we then see various video clips and pictures that show us, as well as hear our narrator tell us, what it is about. We then hear in L14 that once again â€Å"It’s not about the shoes† and then in L15-16 that â€Å"It’s about what you do in them, it’s about being who you were born to be†. This fantasy type provides the resolution to the original conflict brought about in the first scene. The fantasy themes discussed above all come together to hopefully lead the audience to the rhetorical vision to become legendary, which is what the rhetor hoped to communicate. Through the fantasy themes the audience is able to see how it is that they can become legendary

Tuesday, January 21, 2020

Summary Of Beyond Formula: American Film Genres :: essays research papers fc

Summary Of Beyond Formula: American Film Genres The passage taken from the book, â€Å"Beyond Formula: American Film Genres† by Stanley Solomon, focuses specifically on Western films. Solomon suggests that, â€Å"the Western is primarily a genre of location,† (56) which not only suggests the plot of the movie but the characters portrayed in the film as well. If the location is based in a harsh or rugged environment, the viewers automatically assume that the characters in the film will be just as rugged or even unlawful. If location of the film takes place in a small country town the viewer knows that this usually means that that the town is under-populated and industrially inept. The viewer also knows that some sort of trial will present itself to the towns people, typically a group of out-laws, and the citizens of the town will have to muster up what courage they have and stand up to their rivals. In this case the towns people usually are unable to overcome their opponents causing them to rally around a strong spiri ted leader to lead them to victory.   Ã‚  Ã‚  Ã‚  Ã‚  The location, according to Solomon, of Western films gives a direct view of moral values that both the hero of the story and the villain understand. If these values are broken both the hero and villain knows the consequence of their cowardly deed. Location also adds to the film by giving the characters another source of danger than the villains, causing them to be aware the their surroundings in order to survive. Solomon states that, â€Å"the location further determines the moral perspective by inviting sudden violence and the accompanying necessity of perpetual violence† (57).   Ã‚  Ã‚  Ã‚  Ã‚  When the hero or villain arrives in the film, the location makes the viewer aware of the characters past, arousing a curiosity about the character and where he came from. â€Å"The arrival of the hero or villain in the Western setting,† Solomon states, â€Å"immediately prompts discussion†¦Ã¢â‚¬  (58). According to Solomon, when the hero or villain shows up in the movie it is to be assumed that he has experienced life, and at the peak of his career, he has reached a critical point where he is now faced with a crisis that must be rectified.   Ã‚  Ã‚  Ã‚  Ã‚  Location, characterization and the characters history are the key elements to the Western film genre. According to Stanly Solomon, location is either a simple town, (or settlement) or the wilderness, and both types of locations involve countless attempts to overcome hardships.

Monday, January 13, 2020

Website Design & Development Proposal for Netrux Global Concepts Limited

Website design & development proposal for Netrux Global Concepts Limited Submitted by Ojumatimi Olusegun, Matric Number 010403085 (Full Time) To the MBA department On 02/11/12 Course: Research Methodology (MBA 804) Lecturer: Prof. S. I. Owualah  © Crystal Design Corp 2012 Email: [email  protected] com Web: www. cystaldesigncorp. com Date2nd November, 2012 ClientNetrux Global Concepts Limited Contact:215/219 Ikorodu Road, Ikorodu Lagos Phone: 014708945 Email: www. netruxng. com Project titleWebsite design and development for Netrux Global Concepts Limited Project description The project will involve designing a website for Netrux Global Concepts Limited. The website will be designed to the very highest standard and will reflect Netrux Global Concepts Limited’s established corporate identity. We will use Dynamic HTML code, an open source content management system (CMS) which will allow you to easily add content such as products, text and images to the website with a minimum of technical knowledge, within a tightly defined design framework.We will design the site with Google in mind, however a further online marketing campaign using search engine optimization (SEO) is strongly recommended at some stage in the future, in order to maximize the number of visitors to the site. This work can be done by us, or can be done by another suitable agency. We also recommend building up a mailing list of potential and current clients, in order to send a monthly newsletter to them with good news + special offers. Scope We would undertake to do the following: a.Planning and wireframes b. Photoshop / Fireworks design of homepage look and feel, based wireframes & client suggestions. Up to 3 alternative look-and-feel versions are included in the quote. c. Image research. d. Design of up to 20 interior page templates, based on signed off wireframes. Up to 10 iterations of each are included in the quote as standard. e. Coding and cross-browser testing of all templates. f. E xtensive cross-browser testing at multiple resolutions. g. Creation of up to 8 contact / enquiry forms, if required. . Pages to be coded to be SEO friendly. Note: Keyword research and other SEO is not included in this quote. i. Setup of Dynamic HTML content management system (CMS), for editing text and images on main website. j. Remote training with CMS, delivered via Skype. (up to 1. 5 hours) Note, onsite training can be arranged for an additional cost. k. Basic user guide to CMS. (supplied as video or PDF) Optional We anticipate the client has a relatively small number of high-value customers.Therefore it is worth considering creating some custom-designed email newsletter and promotional templates to keep in touch with the customers and increase customer loyalty and brand awareness. This is an optional extra and would include: a. Setup of email marketing system for capturing email addresses. b. Creation of email newsletter and promotional templates. c. Testing of emails in multipl e email software, including on iPhone, iPad, Blackberry. d. Remote training with email marketing system, delivered via Skype. (0. 5 hours) Note, onsite training can be arranged for an additional cost. Budget Website design & development The budget for the design & development of the website, including integration with the CMS would be N1,490,000. Images Image research is included in the budget. The price of purchasing images or custom photography is additional. All image purchases will be agreed with the client in advance. Copy writing Copy is to be supplied by the client, therefore we have not quoted for it. Should additional copy be required we shall be happy to quote for it. TrainingRemote (Skype) training and CMS user guide (generally delivered as training videos) is included within the budget. Website hostingN450,000 Optional extras: Email design, setup and training N150,000 Monthly email cost:190,000/month (for up to 500 subscribers) Onsite trainingN700,000 Timescale We would anticipate the project taking 10-14 weeks to complete. The exact speed of design & development will be affected by client turnaround times, for example responding to designs etc. About Crystal Design Corp We’re a small company that helps our clients get impressive results from their websites.Our approach is simple. We believe what matters about a company’s website isn’t how pretty it is or how clever the programming is, it’s how successful the site is. And as any good business person knows, success doesn’t come overnight. That’s why we like to work with you over a reasonable period of time to gradually improve the results your website achieves. Clients Our clients include national and multinational companies such as Federal Inland Revenue service(FIIR), Shell Nigeria, Exxon Mobile, Nestle Nigeria Ltd as well as financial institutions like Diamond bank, GTBank and Citibank.Testimonials If you’re going to be building your business based on systems a web development company has created, it’s important you can rely on them. Here’s what some of our customers say about us: Working with Crystal Design Corp is amazing. Those guys rock! Adesegun Samuel, Exxon Mobile The reason we use Crystal Design Corp is that as well as producing really high-quality work, they're reliable, easy to deal with and able to turn around quick deadlines. I can't recommend Ojumatimi and his team enough! Mike Adenuga, Globalcom NigeriaOur background The company was set up by Ojumatimi O. , CEO, crystal-designs in 2011 after working as a web designer for other agencies since 2009. Sola has been a professional web designer since 2007, and has been designing websites since 2005. The Team We have a team of full-time staff, and a network of freelancers we call on for specific expertise or to assist when we get busy. Our core team consists of: Core team: Sola O. , Designer / CEO Lasisi M. Co-Founder, Developer Tosin H. , Junior Designer Additional experts: Tosin A. Photographer Demola O. , Copywriter Seye Cole, Developer Validity This proposal is valid for 2 months from the date at the top. A 40% deposit is due prior to project commencement. The balance is payable on completion. This proposal is for information purposes only and does not form a contract. We aren’t currently VAT registered. Thanks! Thanks for considering working with us †¦ we really appreciate it! If you’ve got any questions, just ask us and we’ll answer them. Email [email  protected] com or call Sola on 07069176181.

Sunday, January 5, 2020

The Play of Romeo and Juliet - Free Essay Example

Sample details Pages: 4 Words: 1204 Downloads: 5 Date added: 2019/03/13 Category Literature Essay Level High school Tags: Romeo and Juliet Essay William Shakespeare Essay Did you like this example? Romeo and Juliet written by Shakespeare, portrays the life of a pair of star-crossed lovers who’s passion ultimately leads the pair to their unfortunate deaths. Shakespeare uses the thematic focus to communicate the way Romeo and Juliet’s love for one another influences the outcome of their relationship in a negative and violent way. Most of the time, being in love makes people become very aware and dramatic to the point that when it comes to losing someone they love, they come to believe that their lives are over and are unable to stop holding on onto the past. Don’t waste time! Our writers will create an original "The Play of Romeo and Juliet" essay for you Create order As shown throughout the play of Romeo and Juliet, love is a great passion, and as it is blinding, it can overwhelm a person powerfully and completely such as hate can. Violence can be influenced in different forms such as an action or an idea inflicted onto yourself or others. In this scene Romeo exclaims, â€Å"To call hers, exquisite, in question more. These happy mask that kiss fair ladies’ brows, Being black, puts us in mind they hide the fair. He that is strucken blind cannot forget the precious treasure of his eyesight lost†(Shakespeare Act 1.2.229-233). After Romeo is declined by Rosaline, his first love, he comes to believe that no one else in the world will ever have the audacity to challenge her beauty and personality, even though shortly after he falls in love at first sight when he layed his eyes on Juliet. Similarly to when Romeo is exiled from Verona, he compains to Friar claiming, â€Å"Ha, banishment? Be merciful, say â€Å"death†; For exile hath more terror in his look, much more than death. Do not say banishment† (Shakespeare Act 3.3.12-14). Romeo argues that being banished from Verona is the worst thing to happen to him therefore arguing it is just saying death by another name. Romeo would gladly chose to die rather than being tortured by being taken away from his love Juliet. As for Juliet, the same state of mindset she took when she heard the news of Romeo’s banishment. Juliet argues, â€Å"But wherefore, villain, didst thou kill my cousin? That villain cousin would have killed my husband.†(Shakespeare Act 3.3.100-101). She defended Romeo claiming his outcomes of being banished much more drastic than the life of her own family. In both scenes, both Romeo and Juliet have gone through a period where there is nothing possible at the moment that would comfort them as much as being better off alone. Both show that they would rather to linger in the dark and become depressed over the idea of love rather than actually trying and working on restoring hope. Both Romeo and Juliet show throughout the play that when ever handling a situation with one another, they inflict pain to themselves mentally and physically by contemplating and attempting violent ideas such as suicide. Love can be very blinding forcing violence to reflect off of the decisions a person makes, meaning why a person decides this and how the action is taken upon. Romeo and Juliet both have shown to make unreasonable and dangerous choices due their love clouding their ability to think wisely. For example, Romeo bought the poison from a apothecary claiming â€Å"There is thy gold, worse poison to mens souls† (Shakespeare Act 5.2.80). He never considered all of his options, but instead immediately jumps to the conclusion of needing to sacrifice his life in order to preserve and defend his love with Juliet. While Juliet being placed in the same situation as well, she states, â€Å"I long to die if what thou speak’st speak not of remedy† (Shakespeare, Act 4.1.66-67). She said this to Friar Lawrence claiming that if he can’t find her a way out of marrying Paris, she will just simply need to take her life away. This highlights the significance of her relationship be tween Romeo demonstrating through her actions how her love for Romeo made her think violently, even if she didn’t follow through with the task she said she was capable of committing . Both lovers show that they are willing to do anything in power without hesitation in order to conserve their relationship even if it means sacrificing one another. Violence can interfere between those you hate and who you love without any intentions to any of them. Romeo never wished to hurt Tybalt in anyway due to him being cousins with Juliet as he claimed, â€Å" I do protest, I never injured thee, But love thee better than thou canst devise, Toll thou shalt know the reason of my love. And so, good Capulet-which name I tender as dearly as mine own† (Shakespeare Act 3.1.67-71). On the other hand, Mercutio believes Romeo to be a dastardly person and refers to him as an â€Å"O calm, dishonourable, vile submission† (Shakespeare Act 3.1.70). Mercutio knows what a threat Tybalt poses against Romeo encouraging Mercution to feel angry by Tybalt’s challenge; therefore, Mercutio obtrudes himself into the conflict as a way to defend Romeo as a way to demonstrate the responsibility and control he holds. Once Mercution has been killed, Romeo results in killing Tybalt out of rage from losing his beloved best friend Mercutio. The platonic love between both Romeo and Mercutio had a big influence in the avengances of Mercutio’s death. Although clearly Tybalt is responsible for Mercutio’s death, Romeo personally expresses his own guilt for having contributed to Mercutio’s death when killing Mercutio. Treating Violence with violence justified and inflicted the real pain Romeo had to experience and cooperate unexpectedly. The power of violence has the capability to do or change anything under it’s influence and control. Romeo and Juliet were prohibited to love one another under the control of their parents due to â€Å"the continuance of their parents rage†(Shakespeare The Prologue. 10). However, the double suicide was what interfered into the families perspectives and resulted ending the conflict between the two feuding families. Both families have looked past through all those years of constant arguing and competition with one another and have come to realize through the a ctions of their children their consequences. Romeo’s Father claimed, â€Å"Alas, my liege, my wife is dead tonight. Grief of my son’s exile hath stopped her breath.† Lady Montague died of grieving for her banished son who she lovedvery much. Both details introduce the idea of how love is the source of all or most of the violence that occur throughout the play of Romeo and Juliet. Had there not been a family feud, there would have been no need for Romeo and Juliet to hide their love resulting in having no one else die tragically. Also arguing the idea that Romeo and Juliet have not been the only ones who have died due to love. The main theme of Love as a cause of violence is frequently shown throughout the entire play of Romeo and Juliet. The amount of power that love contains can work in various ways. In the tragedy of Romeo and Juliet, love causes over dramatic behaviour, bad influences and decisions, and most of all, violent actions and thoughts expressed by the main and minor characters causing harm to others and one’s self.